普罗米修斯、奥兹曼迪亚斯、雪莱

如果想假装有文化,大概只需要一个合适的搜索引擎。
虽然并不是第一次读雪莱,但这首万王之王还是第一次读到,并且是在电影异形:契约中;就像”茕茕白兔,东走西顾“,第一次读到是在电影战神中。
许多作品,只要从古典文化中随便拿出一鳞半爪,就会好像很厉害,这只因为大家的古典修为都不怎么样;其实流行文化中那些,离古典还差很远。

衣不如新人不如故

普罗米修斯和异形:契约都是很早前看的电影,以前看的时候好像都没看懂,像2001: A Space Odyssey,银翼杀手这些都是好早以前看的。再看之后才觉得这两部其实挺不错的。

当听到里面的朗诵king of kings,然后说作者是拜伦的时候,我就在找,真的是拜伦吗?
同样的例子还有,三十而已里面那女的拿个睡莲说是梵高的作品,我当时觉得编剧怎么会有这样的错误?虽然没什么文化,但是这个样子的睡莲偶恰好在巴黎的 Musée de l’Orangerie 看到过。
(在异形和三十而已中,这两个都是作者故意的,后续剧情有说)

Ozymandias

by Percy Bysshe Shelly

I met a traveller from an antique land

Who said: Two vast and trunkless legs of stone

Stand in the desert. Near them on the sand,

Half sunk, a shatter’d visage lies, whose frown

And wrinkled lip and sneer of cold command

Tell that its sculptor well those passions read

Which yet survive, stamp’d on these lifeless things,

The hand that mock’d them and the heart that fed;

And on the pedestal these words appear:

‘My name is Ozymandias, king of kings:

Look on my works, ye Mighty, and despair!’

Nothing beside remains. Round the decay

Of that colossal wreck, boundless and bare,

The lone and level sands stretch far away.

Ozymandias万王之王

王佐良/译

客自海外归,曾见沙漠古国

有石像半毁,唯余巨腿

半遭沙埋,但人面依然可畏,

那冷笑,那发号施令的高傲,

足见雕匠看透了主人的内心,

才把那石头刻得神情维肖,

而刻像的手和像主的心

早成灰烬。像座上大字在目:

“吾乃万王之王是也,

盖世功业,敢叫天公折服!

此外无一物,但见废墟周围,

寂寞平沙空莽莽,

伸向荒凉的四方。

奥西曼提斯

奥兹曼迪亚斯(杨绛 译)

雪莱

我遇见一位来自古国的旅人

他说:有两条巨大的石腿

半掩于沙漠之间

近旁的沙土中,有一张破碎的石脸

抿着嘴,蹙着眉,面孔依旧威严

想那雕刻者,必定深谙其人情感

那神态还留在石头上

而斯人已逝,化作尘烟

看那石座上刻着字句:

“我是万王之王,奥兹曼斯迪亚斯

功业盖物,强者折服”

此外,荡然无物

废墟四周,唯余黄沙莽莽

寂寞荒凉,伸展四方

About Ozymandias:

Before reading Ozymandias, I glanced at the writer’s name, Percy Bysshe Shelley, one of the major Romantic poets, whom is not unfamiliar to me. When it comes to Shelley, a famous sentence flashed upon my mind, “If Winter comes, can Spring be far behind?”

Personally speaking, I really admire Shelley because of his romantic life experience. Also, William Wordsworth appraise Shelley as “One of the best artists of us all”, and Lord Byron, Shelley’s close friend once said of him “Without exception the best and least selfish man I ever knew”.

From the French writer André Maurois’s Biography of Shelley, Shelley is regarded as a character who has strongly tragic fate, he is a rebel by nature, he will not fit into any environment, but his works still concerns the reality.

From all of the lectures, Ozymandias is the poem whom I really admire. When I first read this poem, I seem to enter into a totally different world. It is a scene of utter desolation, only a bust of Ozymandias on a pedestal among the bleak desert. 

By means of imagination, I seemed like to stand in the desert, watching the colossal, it is a great masterpiece, still reveals the vigor and strength when Ozymandias ruled his country. The stone must have witnessed many dynasty changes in the course of history. Meanwhile, this historical impression extensively expresses some description which are highly capable of creating mental pictures.

Then I heard the sound, “My name is Ozymandias, king of kings: Look on my works, ye Might, and despair!” the voice whistled through the fierce wind, and makes a person shiver. There is no doubt that the monologue brings out the arrogant and overconfident side of Ozymandias. Ozymandias, who was the king of kings before, was obsessed by power. Even now he became a stone and would be impossible to move, he still remembered his own brilliant merits.

Besides the strong images and imagination, there are also some reason why I like Ozymandias. To some degree, the theme of this poem is ambiguous, which covers many dimensions, and that is why I really admire Ozymandias.

Firstly, this poem can be regarded as the satire aimed at magnates. The king who had absolute power inevitably was in his last throes, and his country drew on rapidly towards destruction in the end, “Nothing beside remains”, “The lone and level sands stretch far away”. At the same time, I think that Shelley wrote this poem for the sake of mocking people who were in authority. 

As I know, “Ozymandias” was written in 1818, at which time Shelley may be forced to Italy with Mary and Clare Claremont, the cast off lover of Byron, showing a total disregard to other people and their feelings. On the one hand, Shelley hated so-called conservative rules. On the other hand, he considered that this prejudice was bound to fade away. However, Shelley was able to only represent it to readers by metaphors. In this poetry the king’s voice was a  metaphor for the attack. Similarly, these kind of rules and bondage would wear down in the end.

Secondly, this poem reflects that art and beauty can not be everlasting. The sculpture of Ozymandias, as a symbol of beauty, was hard to bear the exposure of rain and wind day after day, only leaving the broken and lifeless debris. By the way, how long could the Ozymandias existed in the desert, and who knew? Faced with the power of time, every perfect thing would become imperfect, time is so strong that can ruin everything.

Thirdly, this poem demonstrates that only time is perpetual, everything including power, artistic beauty even human beings, as time goes by will all be gone. Time is so powerful that it destroys everyone’s brilliant victories. But eventually, no one will escape the fate. No one has the capacity to transcend time.

As the proverb goes: There are a thousand Hamlets in a thousand people’s eyes.

There are just three of the ambiguous themes that I have came up with. As for other themes, I do think that Ozymandias likes a highlight, throw off many different aspects which give readers space of imagination to fill in the gap. 

Reading some reference materials, I realized that Ozymandias was a Greek name for the Egyptian king Ramesses II (1304-1237 BC.) Records the inscription on the pedestal of his statue (at the Ramesseum, on the other side of Nile river from Luxor ) as “King of kings am I, Ozymandias. If anyone would know how great I am and where I lie, let him surpass one of my works”.

Horace Smith once also wrote a poem describing Ozymandias. Someone considered that they took the same subject, told the same story, even made the same moral point. But from my own perspective, Shelley’s sonnet is more refined than Smith’s. There were different voices appeared in Shelley’s poem. For instance, the king’s voice was high, representing he took charge of power; the sculptor said nothing but he may discern everything; the traveller told the narrator the whole story, and the narrator witnessed the story. To some degree, it’s also a suggestive story of people facing an uncertain future, and of a country searching for a new sense of patriotic identity.

Work Cited:

  1. The Poems of Shelley,II: 1817-1819 [London: Pearson, 2000]:311
  2. Trans. C.H,Oldfather, Loeb Classical Library, vol. 33 [Cambridge, Mass: Harvard University Press, 1961]: I 47
  3. Reiman, Donald H and Sharon B.Powers. Shelley’s Poetry and Prose. Norton 1977.ISBN 0-393-09164-3
  4. André, Maurois. Ariel Ou La Vie Shelly ISBN 7308121836

扩展连接:

珀西·比希·雪莱(英文原名:Percy Bysshe Shelley,公元1792年8月4日—公元1822年7月8日),英国著名作家、浪漫主义诗人,被认为是历史上最出色的英语诗人之一。英国浪漫主义民主诗人、第一位社会主义诗人、小说家、哲学家、散文随笔和政论作家、改革家、柏拉图主义者和理想主义者,受空想社会主义思想影响颇深。

雪莱生于英格兰萨塞克斯郡霍舍姆附近的沃恩汉,12岁进入伊顿公学,1810年进入牛津大学,1811年3月25日由于散发《无神论的必然》,入学不足一年就被牛津大学开除。1813年11月完成叙事长诗《麦布女王》,1818年至1819年完成了两部重要的长诗《解放了的普罗米修斯》和《倩契》,以及其不朽的名作《西风颂》。1822年7月8日逝世。恩格斯称他是“天才预言家”。

“Ozymandias” 是英国浪漫主义诗人雪莱(Percy Bysshe Shelley)写的一首十四行诗,首次发表于1818年1月11日的 The Examiner。第二年,它被收入了Rosalind and Helen, A Modern Eclogue; with Other Poems (1819年)以及他在1826年出版的诗歌的遗作。“Ozymandias”是雪莱最着名的作品,经常被选集。

雪莱在与他的朋友兼诗人霍拉斯史密斯(1779-1849)的友好竞争中写下了这首诗,史密斯也同样以“Ozymandias”写了一首十四行诗,并且在在雪莱的十四行诗之后几周,史密斯的诗也被发表在 The Examiner上。这两首诗都探索了历史的命运和时间的蹂躏:即使是最伟大的人和他们伪造的帝国也是无常的,他们的遗产决定于衰败。

在古代,Ozymandias(Ὀσυμανδύας)是埃及法老拉美西斯二世的希腊名字。雪莱于1817年开始写他的诗,不久之后大英博物馆宣布从公元前13世纪收购了拉美西斯二世雕像的一大片,导致一些学者相信雪莱的灵感来自于此。雕像头部和躯干的7.25吨碎片于1816年被意大利冒险家乔瓦尼巴蒂斯塔贝尔佐尼从底比斯的拉美西斯太平间寺庙中移除。预计它将于1818年抵达伦敦,但直到1821年才到达。

参考资料:

Ozymandias-Wikipedia(维基百科)

珀西·比希·雪莱-百度百科